Claro


所有的音频插件和软件包免费试用14天

新的 Claro DAW 音频插件工具。单个集成软件中的三个音频插件

Produce (视窗​): 第一个视图提供了一个快速而富有创意的均衡器,可以在消除不必要的干扰和复杂的技术术语的同时积极增强您的音乐创造力。

Tweak (视窗): 该视图为校正开辟了更多可能性,并为您提供了我们最干净、最灵活的过滤器。实时分析器适应您的动作并帮助识别有问题的共振。

Mix (混合 视窗)​: 最后,使用 MIX 视图来理解和组合您的混音。每个曲目将同时显示,让您可以优先排序、探索交互并快速解决竞争曲目之间的频率冲突。

Whether you're a bedroom producer or a Grammy-winning pro, you want to take control to develop your own musical voice. Claro will empower you to make informed musical decisions in a unique and intuitive way.

Claro is a comprehensive EQ Plug-In that serves the production process from composition to final mix, with three distinct views, progressively adding deeper insight and precision to prevent mud, clutter, or harshness, helping you blend your tracks into a clear and balanced mix.

在带有插件合成器、循环和鼓机的 DAW 中编写音乐时,源声音都倾向于在整个频谱中占据大量空间。

这会为您的混音增加许多的工作量。 在这个阶段,些许的声音塑形都会对音色带来很大的变化。

- 如果我们能使我们听到的东西更接近于最终混音的声音,我们就能在考虑到最终声音的情况下做出如何调整的选择。

如果快速音量和 EQ 调整无法将新部分与现有乐器融合在一起,那么尝试不同的声源或交织的旋律或和弦安排将会让音乐更加动听。

目前在调整 EQ 的过程中,很容易因为各种错综复杂的细节而丢失目标。

我们会发现自己把更多的时间花在了调整一个难以融合的声音上,而不是通过调整乐器和音乐本身来探索更广泛的可能性。

一个有用的方法是在作曲时使用选项较少的工具,而在混音时更灵活的选择使用不同的工具。

然而,如果我们未能发现我们前期 EQ 调整的隐患,其势必会在最终的混音中造成问题,因为我们会用到许多的插件,并不只是在一个插件内进行调整。

靠经验就更难了,建立直觉需要更长的时间。考虑到这一点,Claro 允许其灵活性随着时间的推移而展开。

我们不要在前期阶段忽略它,否则在后期阶段我们就得在各种工具之间来回切换。

How does Claro benefit you?

Staying focused is difficult, it slows the production process and kills creativity
---

Specifically designed to offer "Vibe first, detail later", Claro has three distinct views which help to build your EQ intuition and confidence without interrupting the flow. You'll be guided towards making the right decision for you, first time, every time.

 

After having reduced masking from your previously muddy mix, have you ended up with something lifeless or sterile?
---

Of course you have, but were you aware that not all masking is bad all of the time? Masking can impart body, thickness and presence to your tracks. Claro identifies masking and empowers you to learn and choose whether it is problematic or positively contributing to the tone you're trying to achieve.


Resonance isn't always bad
---

Resonances are the sharp, tonal characteristics that ring over time, like the overtones of a bell. They can cause things to sound harsh or boxy, and while you might be tempted to notch out or remove all of the resonances, they also help determine that sound's character, including its pitch.

When searching for resonant areas to tweak, Claro shows precise peaks and highlights those that resonate most over time.
 

You don't always refer to audio in specific Hz, so why should your Plug-In?
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Claro's friendly, intuitive interface guides you towards frequency ranges using familiar words such as 'Mud' and 'Harshness' in addition to Hz. A piano keyboard is also displayed to set your EQ band to a specific note helping you to work musically.

Produce 视窗​

直觉是这里的关键。

我们可以立即看到声音能量在频谱中的位置与我们希望的位置 - 不仅仅是在赫兹方面,而且在我们通常用来描述声音的语言中。

只需将水平滑块拖向定义,如果这是我们或多或少想要的,然后向上和向下拖动圆形增益控件以进行品尝。

能量计上方的低切滤波器和高切滤波器也是如此。

只需将左侧的 Low Cut 滑块向右拖动即可消除低端隆隆声或减轻重量和泥浆。

频率快捷调制​

每个频段的设置选项的灵感来自各种流行的模拟均衡器。

之所以选择它们,是因为它们通常很有用,并且通常是一个很好的起点 - 足够接近,同时快速合成和混合,并且稍后在 Tweak 和 Mix 视窗中完全可调整。

对于任何对特定频率范围内 EQ 移动的声音有直觉的人来说,这些悬停快捷方式甚至可以比滑块更快。

使用它们是建立这种直觉的好方法!

搁架模式​

启用低频段以进行隆隆声的低端增强,而没有典型搁架均衡器的泥泞感(很像经典的 Pultec 推/拉技巧!)。

在 Tweak/Mix 视窗中,通过将它们切换到 Shelf Shape 并增加 Overshoot 控制(稍后会详细介绍)。

此行为可用于所有频段启用高频段以获得平滑的通风增强或微妙的高端柔化。

斜率比典型的搁架均衡器更温和,因此可以更用力地推/拉而不会刺耳或沉闷。

音调和带宽​

在立体声轨道上有一个 Tone | Width 按钮出现在插件下方页脚中。

切换它以在整体立体声音调整形和立体声宽度整形之间切换并生成视图。

亮宽测光显示具有宽立体声图像的频谱区域,而暗区显示信号较窄(或单声道)的位置。

在宽度很小或没有宽度的区域中增强或削减的频段听起来像是被旁通了。

宽频带仅将 EQ 应用于“侧”通道 -衰减频带以缩小该频谱区域中的立体声图像,或增强以加宽它。

提升时要小心 - 调整一点点就大有帮助!有关“中/侧”均衡器以及如何充分利用它的更多信息,请参阅立体声音调整形部分。

单声道低频端​

此处,宽度表显示了在整个频谱范围内具有宽立体声图像的声音:

在隆隆声周围的低端宽度能量可以通过向右拖动低切滤波器来移除。

这对立体声乐器来说通常是件好事,因为这些乐器的低端能量对混音的低频律动或氛围并不重要。

Tweak 视窗

当您需要真正开始动手的时候,请进入 Tweak 视窗!

您从 Produce 视窗中进行的所有音色塑造动作都会被保留下来并可以进一步调整,并且最多可以添加 16 个额外的频段。

    Three Distinct Views

    Claro sustains focus and accelerates your workflow through three distinct views.

    The first is the PRODUCE view, offering a fast, creative EQ that actively promotes your musical creativity while removing unnecessary distractions and complex technical terminology.

    TWEAK view then opens up more correctional possibilities, providing you with our cleanest, most flexible filters. The real-time analyser adapts to your moves and helps to identify problematic resonances.

    Finally, use the MIX view to understand and assemble your mix. Every track is simultaneously displayed for you to prioritise, explore interactions and swiftly address frequency collisions between competing tracks.

     

    PRODUCE - TONE

    Build EQ intuition and confidence without interrupting your flow.

    Broad EQ moves while creating, even if they're subtle, often inspire you to make different musical decisions.

    Focus on where the energy is and discover what tonal characteristics you want to achieve.

    PRODUCE - WIDTH

    Mid-side EQ is often essential for cleaning up stereo synths and loops or creating space for vocals, and it's just as quick as Tone shaping.

    Flip to Width mode to see the side-channel energy and tweak it.

    Too much rumble in the sides? Mono the bass with the Low Cut Filter.

    Sounding too 2-dimensional? Spread the high 'air' frequencies.

    TWEAK

    Sometimes you'll need to dive into finer details, tweak filter resonance, adjust left/right and mid/side balance, or attenuate areas that contribute to boxiness or harshness.

    Claro's adaptive spectrum analyser follows the channel (stereo, left/right or mid/side) and the Q of the band you're adjusting to show you what you need to see.

    No more boosting and sweeping. Claro identifies resonances and highlights them so you can be in control of how much or little you wish to attenuate those resonances.

    MIX

    View all Claro instances across your project and see how the audio interacts.

    Drag & drop tracks to explore corrective EQ moves across any combination of tracks from the same window.

    Yellow highlights indicate where each track in your mix competes against, or masks, your chosen reference track. Areas of masking can lead to it sounding boomy, muddy, or harsh.

    Use the Invert EQ function to apply corresponding boosts to one track and cuts to another to reduce masking and give each track its own spectral space.

    Still not convinced? Each instance also gives you...

    • Claro's EQ is highly flexible, with each of its 26 bands offering:
      • A clean, musical-sounding EQ that resembles the well-loved Neve types, their modern derivatives and the SSL G Series, as well as many high-end outboard equalisers.
      • Left, Right, Mid, Side, Mono, or Stereo channel processing giving you the capability to correct, widen, narrow, or make space within each track. 
      • A wide 20hz - 40kHz range. The extended high-frequency range offers a smooth, airy quality - excellent for vocals and mix busses. 
      • Variable Q, including resonance and overshoot on the cut and shelving filters, respectively, giving you the ability to mimic classic synth filters and hardware EQ curves. 
      • Variable slopes on all band shapes, up to super-steep (120dB per octave) for surgical work and treating precise audio bands
      • Claro's automation is smooth and artefact-free, unlike most premium EQs.
    • Auto Gain uniquely keeps your track at the same loudness, no matter the signal content or how you choose to EQ it.

    But don't just take our word for it.

    "You know, I'm a complainer. And really, honestly, everything with Claro is really well thought out."

    Adam Hawkins (Twenty One Pilots, Machine Gun Kelly, Yungblud)

     

    "I’ve been using it in every mix since I got the beta and I can’t wait to tell the world. It’s the ease of use, the Mix view where you can see every track at a glance, pair some tracks, compare their EQ curves, do inverse EQ moves to make everything fit. It’s such a huge time saver to be able to do everything in one Plug-In"

    Nuno Fernandes (Bryan Adams, Elisa, Diana Krall)

     

    "I love the sound and feel of this Plug-In, and the resonance visual feedback is better than anything else I’ve used"

    Mike Exeter (Black Sabbath, Judas Priest, Cradle of Filth)

     

    "I've got really into using this Plug-In now, it took a little time but now I feel like I can’t live without it! Mix mode is proving invaluable. It’s amazing!"

    Rhys Fletcher (Beta Tester and songwriter)

    AAX native 兼容音频插件
    AU 兼容音频插件
    VST3兼容音频插件
    SPECIFICATIONS 规范
    Licensing
     
    The Toolbox range offers 2 activations for each product licence you buy.
    Providing you have an iLok account, each activation will allow you to authorise your Plug-In on one of these devices:
     
    Machine
     
    iLok device. iLok2 / iLok3 required with latest drivers
     
    • iLok Cloud. Active internet connection required
     
     
    For more information about these choices please click here.

    Sonnox Toolbox Claro is compatibile with any desktop application that supports Audio Unit (AU), VST3 or Pro Tools AAX Native plug-Ins.

     

    Pro Tools AAX
    • Pro Tools 11 and above – AAX Native
    • Approved Pro Tools CPU, OS and hardware configuration: www.avid.com
    Audio Units
    • Audio Units (AU) compatible application (Logic, Digital Performer etc.)
    • Mac OS X 10.8 or later
    VST3
    • VST3 compatible application (Cubase, Nuendo, Studio One etc.)
    • Mac OS X 10.8 or later
    • Windows 7 or later
    DSP Compatibility

    Toolbox plug-ins do not support Avid’s TDM/HDX hardware DSP platform (including Venue, S3L and S6L systems), Waves SoundGrid or Universal Audio's UAD platform.

    Sonnox Toolbox Claro is zero latency at all commmon sample rates.

    NATIVE
    Sample Rate (kHz) Latency (Samples) Latency (ms)
    44.1 0 0
    48 0 0
    88.2 0 0
    96 0 0
    176.4 0 0
    192 0 0

    Sonnox Toolbox Claro supports all commmon sample rates.

    NATIVE
    44.1 – 48 kHz:
    88.2 – 96 kHz:
    176.4 – 192 kHz: